Holy Ground in Folding Chairs
This weekend, my heart was ambushed in the sweetest, most completely unexpected way.
I was standing in the back of a school auditorium, the kind with folding chairs and slightly too-warm air and families rustling programs, when our second miracle walked out onto that stage. Steady. Confident. Radiant under the lights.
Prince Eric. In his school’s very first production of The Little Mermaid Jr.
And just like that, the air left my lungs completely.
If you read Part 1, you know the road that brought us here wasn’t a gentle one. You know about the antepartum ward and the ruptured sac and the specialists who chose their words so gently, because gentleness was all they had left to offer. You know about the months of waiting and praying and pressing my hands against the hope that something good was still possible.
And you know Will-I-Am—our fighter, our fragile fierce one, our boy who arrived in the world against the odds and then just kept defying them, stubbornly and with a whole lot of grace.
What you don’t know yet is what it looks like when that boy opens his mouth on a stage and sings.
I’ll tell you. It looks like a decade of prayers made visible. It looks like every hospital night, every anxious waiting room, and every tear cried into a pillow being gathered up and handed back to you in the shape of something so beautiful you almost can’t take it in.
That’s what I saw on Thursday, Friday, and Saturday. I saw all of it at once. I didn’t try to hold it together. I didn’t want to.
What Suffering Grows in the Dark
There’s a particular kind of joy that lives on the other side of suffering. I don’t think you can manufacture it or rush toward it. It has to be earned in the dark, the way certain things only grow without light. It’s the kind of joy that doesn’t just make you happy—it makes you come undone.
I was undone.
I sat there watching this kid, this middle schooler who wasn’t supposed to make it, who spent his first year cycling through nearly a hundred doctor’s appointments, who carried diagnoses and fought through every one of them. I watched him command that stage with a voice and a presence that had no business being as powerful as it was. And I felt something I don’t have a clean word for. Something past gratitude. Something past relief. Something that lives right at the edge of worship.
Maybe that’s exactly what it was.
To the One Whose Hope Has Gone Quiet
I thought about the mothers I know who are still in the waiting. The ones whose hope has been bruised so many times it’s turned cautious and quiet. The ones lying in beds like I once was, or sitting in waiting rooms, or holding a grief that doesn’t have a pretty name.
I see you. Your story isn’t finished. Even the parts that feel like endings, the cracked places, the interrupted joys, the dreams that arrived and then shattered, even those are not the last words.
I know that because I lived it. And then I watched my living proof of it sing.
Will-I-Am doesn’t know everything his life has already meant. He doesn’t know yet about the prayers that were prayed over him before he could breathe on his own, or the nights his mother lay awake asking God for more time, or the way his name became a declaration before he ever had a chance to live into it.
He just knows he loves to perform. He knows that stage felt like home.
And I know deep down that God didn’t waste a single hard thing. Every appointment, every diagnosis, every moment of fear was somehow being woven into the person who walked out under those lights for each and every performance. Not in spite of the suffering. Through it.
I couldn’t have drawn you a map to this moment from where we started. I wouldn’t have known which roads led here. I just know we walked them, one impossible step at a time, and somehow ended up in a folding chair.
“For I know the plans I have for you,” declares the Lord, “plans to prosper you and not to harm you, plans to give you a hope and a future.” — Jeremiah 29:11
I’ve whispered that verse in hospital rooms when it felt like a lifeline, and in seasons when, honestly, it felt very far away. This weekend it felt like finally being able to exhale — like a breath I’d been holding for over a decade slowly, quietly leaving my chest.
This weekend wasn’t just a school play. It was a love song, between a mother and her Maker, carried on the voice of her miracle child. It was holy ground disguised as a middle school auditorium with folding chairs and slightly too-warm air.
And I wouldn’t have traded a single hard step of the road that brought me there.
God is still writing. For Will-I-Am, for me, and for you.
He’s still writing.
